Wednesday, May 29, 2013

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Recent Sci-Fi/Action movies have unfortunately left any kind of story sitting on the back seat, and they hope that all of the done-to-death special effects will carry it through to success, so I had some misgivings going into this movie despite the overall appeal of the preview. But this simply wasn't the case with this movie.

As a Sci-Fi fan, I found the story to be quite fresh, given that the overall premise was of an post-apocalyptic Earth, it didn't have that bland or depressing barren wasteland feel that so many post war devastating movies have.

The film starts in the year 2077. Sometime in 2017, (yes just 4 years away), our moon is attacked and left in a crumbled mess. This sudden change in the gravitational field creates earthquakes and tsunamis that devastate most of our planet. Humans apparently then deliver the coup-de-grace, by setting off their nuclear stockpile in retaliation to these attacks. Despite learning that man won the war, what's left is a permanently altered Earth and one that's no longer fit for habitation.

Enter mans salvation, a large orbiting space station called the TET, (I assume it's called this due to it's shape, that of an immense tetrahedron). The TET is supposed to be a stepping stone we have created for our journey to our new home, Saturn's largest moon - Titan.

In order to accomplish this and so our new home can support human life, huge water filtration plants are set up along the coastline of old New York. These plants are protected by a series of automated and powerful drones, equipped with infra-red, swivel cannons and heavy shielding. Tom Cruise is Tech 49 who's job it is to repair and maintain the drones as they are regularly attacked by remnants of those who attacked us, called Scavs, (short for scavengers), as they bring down these drones and then strip them of essential parts.

At this point you think that this is just a simple movie of human survival, but the reality is far more insidious. The TET was not built by us, it was the TET that attacked us. The scavs, are what's left of the human race and their attacks on the drones are so they can stop this water filtration process. We find that the water is not for our future use, instead it's for an alien intelligence wanting to suck the earth dry of all it water resource.

There are of course random undertones from other movies that followed this premise, such as "V" and more recently Independence Day. Tom Cruise and his assistant on Earth in 2077, are actually space shuttle pilots from 2017 that were sent to investigate the TET when it first arrived. In turn they were captured, had their memories erased and cloned. After Earth bit the dust, the clones were returned to various sectors on Earth so they can look after the water plants and the drones.

The special effects in Oblivion are top notch as are the action scenes. I'm not the biggest fan of Tom Cruise, but I didn't mind him in this, I thought he played the character well. The random scenes of a devastated U.S were incredibly well done, the CGI was not so obvious and for many scenes, in particular the now ground level observation deck of the Empire State building was incredible.

If this type of movie appeals and you're a fan of decent Sci-Fi/action films then you'll want to see this again.

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"WOW! I'm lucky i decided to go see this!" That was my thought when i finished the film, totally opposite to my initial expectations.

I have watched tons of pixar films but this one is one of the most enjoyable, heart-warming and memorable. Its different. Its simple but strikes ur mind and emotions. Its cunning and imaginative. The characters stand out and make u wonder why the film is only 90 mins when all of them deserve more time to be stars of the film! OK, i might sound a little too enthusiastic but u'll never understand me until u see it for urself! :P Its one of those films where u should totally ignore all the bad reviews.

{{Minor Spoiler Alert}} The film was especially memorable to me because it touched on the simplicity of life and dictates it through different ways. From the discovery of the fire to the shoes, the first ever gaze of the starry night to the longing of the shining sun, it was touching to see the changes they must go through in order to strive forward. The adventure is humorous throughout but always leaves a little message behind. The way in which Grug (Dad) changes from a stubborn, never NOT afraid (haha!), yet loving father to an open-minded, idea-making (hahaha!) and STILL loving father was very touching. U'd really feel empathy towards his character, cry at his sacrifices and then cheer for his imagination at the end! His resolve changes his whole family and their life, bringing joy and fun to everyone including their new pets!

This film really is a must see and i'll recommend and rewatch it anyday!

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As Jackie Robinson was an excellent, multi-faceted baseball player, "42" is an excellent multi-faceted movie. Writer-director Brian Helgeland manages to artfully mix elements of drama, baseball action, humor and romance[!] while telling an important story about recent American history.

I thought it was wise for the film to focus on just a few years of Robinson's career, so that more time could be given to important scenes both on and off the field.

"42" is not called the "Jackie Robinson Story" for a reason. The movie is about more than just one man. The film shows the roles that Brooklyn Dodgers owner Branch Rickey (Harrison Ford), Robinson's wife Rachel (Nicole Beharie), and journalist Wendell Smith (Andre Holland) played in Robinson's career and life. All the actors give fine performances. And Chadwick Boseman is fantastic in portraying Robinson's determination, anxiety, anger, athleticism and courage.

I also appreciated the scenes that touched on the cultural climate in the nation. Watch for what happens between a father and his son when Robinson is introduced at a game in Cincinnati.

I thoroughly enjoyed "42". It's a film that that should be a game-winning hit with baseball fans, and those who appreciate civil rights and American history.

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Anyone who ever dreamed of America dreamed it for two kinds of spaces : the city – high and sprawling, violent and full of energy – and the nature – the desert, the bayou, the swamps, the "wilderness", a word that has no equivalent in French. We dream of America because we dream of the images that created it. There are always images, shaped by other images, and we keep on dreaming of them. The filmmakers know that. Watching Mulholland Drive is watching Gilda and Sunset Boulevard, etc. Watching Mud is watching other images of the South. And the South has always been inhabited by resourceful children, forced to manage on their own to face the adults' violence. And nature has always been for them a way out and a consolation. Watching Ellis (Tye Sheridan) and Neckbone (Jacob Lofland) is like watching Tom Sawyer and Huckleberry Finn, Idgie in Fried Green Tomatoes, Mick in the Heart is a Lonely Hunter… "This thing I want I know not what", Mick says. Ellis watches the adults, he sees his parents fight, he sees women lie to men, men lie to women. They seem lost. He would like to help them, to belong there, and yet at the same time he is disappointed in them, he is angry. This thing he wants and doesn't want. Mud, and everything that shaped it, is about a passage, a difficult growth from the child's freedom to the adult's responsibilities, it's about the impossibility to understand the world as it is. To understand, you always need a guide, or at least a model. But the adult is weak and needs help. In Mud, as in two other great movies, Winter's Bone and Beasts of the Southern Wild (let's remember that Arkansas is in the middle, between Missouri and Louisiana), roles are reversed. The child takes care of the adult, and loses some of his illusions on the way. And yet, despite violence and death, love remains, love between men and women, between parents and their children, between men and nature. Beauty is still out there, in front of which one cannot but wonder. Mud ends in a final shot of the river, which is a character in itself, both dangerous and protective. I love America for all these images, all these stories, all these shots, all these characters. I love the myths America created, and Mud adds another piece to this mythology.

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'THE GREAT GATSBY': Four and a Half Stars (Out of Five)

Director Baz Luhrmann's lavish adaptation of F. Scott Fitzgerald's classic 1925 novel about a bond salesman who finds himself captivated by the life of his millionaire neighbor during the 'Roaring Twenties'. Leonardo DiCaprio (who also starred in Luhrmann's 'ROMEO + JULIET') and Tobey Maguire star in the film and it's their first time appearing in a movie together since 2001's 'DON'S PLUM' (despite being longtime friends since childhood). Carey Mulligan also stars in the movie as the millionaire's love interest, caught in a love triangle with another millionaire (played by Joel Edgerton). The film is a visually breathtaking epic period piece (like all of Luhrmann's films). It's also a tragedy (like most of Luhrmann's films as well). I enjoyed almost every aspect of the film except it's conclusion (having never read the book or known the story), which is just too dark and depressing for me.

Maguire plays Nick Carraway, an alcoholic (as the film opens) telling a man in a sanatorium his story about his times with a millionaire named Jay Gatsby (DiCaprio). Nick met Gatsby when he moved into a house next door to his mansion in New York in 1922. A Yale University graduate and World War 1 veteran, Nick was moving from the Midwest to New York to take a job as a bond salesman. He met the mysterious millionaire when he was invited to one of his huge parties, despite the fact that no one else was ever invited to his parties (they would just show up) and no one seemed to know what Gatsby really looked like. Nick soon discovered that the millionaire wanted to get to know him so he could arrange a meeting with his cousin, Daisy Buchanan (Mulligan), who Gatsby had a romantic affair with five years earlier. Daisy was (at the time, in 1922) married to another millionaire though, Tom (Edgerton), who was an old college buddy of Nick's. This of course caused lots of complications as Gatsby wanted to steal Daisy away from Tom, who she had fallen out of love with anyway due to his constant cheating ways.

I'm a huge Baz Luhrmann fan. I've enjoyed all of his films, especially 'MOULIN ROUGE!' (which is my all time favorite musical and one of my all time favorite films). That's a tragedy, like almost all of Luhrmann's movies, but it's still a beautifully moving story that's end feels justified. Like I said I haven't read the source material for 'GATSBY' (so I don't know how well the story played out in the book) but here I was disappointed with the overall feel of the film (by it's conclusion). I loved all of the performances (especially DiCaprio, who's amazing in it), the look of the film, the music and the first two acts. I really did like the story of this mentally ill millionaire who built his fortune from nothing and is now willing to throw almost everything away for his love (and obsession) with this untrustworthy girl. Like I said I just didn't like it's conclusion. Luhrmann did write the screenplay (with his usual partner in crime Craig Pearce) so he's to blame for it's shortcomings as much as it's success. It is a visual masterpiece that's a good film but not a great one.

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The Marvel Cinematic Universe. So far, it has been nothing short of spectacular. From Iron Man to the Avangers, all of these movies had nothing to hate and a lot to love for me as a long time Marvel fan.

So what's going on here?

When I wrote my gut reaction review on my blog, I was in pure HATE mode for this movie. Seeing the big "twist" in this movie really stuck in my craw, and I'm pretty sure that came through in my words.

In fact, just the Mandarin twist itself was enough to turn my feelings inside out for the whole movie, especially the end sequence. That was when I asked myself over and over again: THIS guy is the Mandarin?

However, upon second viewing the movie has revealed itself to be not AS bad as I thought before. there is some quality acting here, especially by Downey, and Kingsley looked AND SOUNDED like a truly intimidating terrorist (pre reveal, anyway).

However, I still think there was WAY too much comedy here. And not too mention the fact that many could have done without the kid sidekick thing, although it wasn't nearly as bad as it could have turned out.

Still, I expected and really wanted to see Tony Stark versus the Mandarin, as the trailers promised. I was expecting something darker than the previous two. What I got was a buddy cop kid film with potentially awesome ideas that ended up getting screwed up.

Are the rest of the Phase 2 movies going to be like this? Thor 2 looks promising, but then again, so did this one.

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My third film for this Memorial Day weekend takes me out of the rated R woods and into one that is more magical and kid friendly. No I'm not on drugs, I'm talking about the movie Epic, Blue Sky Studios (BSS) latest animated installment. I'll admit that seeing the trailers last summer got me stoked at the potential for comedy, action, and a heartwarming tale. Yet like many movies I feared that I would be disappointed by the final product. What was the verdict? Read on to find out.

As the trailers promised, the world of Epic is a beautiful creation of art, computer graphics, and attention to detail. The animators at BSS do their homework when it comes to creating their worlds/characters, managing to capture the natural grooves, curves, and texture of nature's beauty. From the lines in the various leaves to the warped and horrific dimensions of rot, Epic's visuals are indeed some of the finest I've seen in a while. They don't stop there however, as the team took another step up to develop their creatures of fantasy. The denizens of the hidden world in the forest impressed me, as a beautiful blend of human anatomy and environment melded into a combination that I could only dream of. Of course like many movies, there was plenty of cookie cutting going on, especially in scenes where there were mass congregations or when the enemy swarmed the scene. Despite this minor flaw though, Epic's world is clever, bold, and magical.

Yet visuals probably isn't the main reason most will be seeing this movie is it? Many people may be going to take a young family member/friend to see a fun adventure. If that is the case, Epic is your movie of choice as the children in my theater were dazzled by what the movie had to offer. The comedy styles of Mub (Aziz Ansari) and Grub (Chris O'Dowd) might have been the most entertaining factor for the audience. Both Ansari and O'Dowd throw their two cents into the fray, one thinking he is a player, while the other wants to be a knight. Yet both are goofballs doing odd tricks, making silly faces, and performing mannerisms that the young and young at heart will love. Their voices matched the characters incredibly well for me, both giving the lines the perfect punch to leave me in stitches. Of course the other characters have some one hit wonders when it comes to making people laugh. A three legged dog, a clumsy professor and even Nod (Josh Hutcherson) have a few moments that are quite amusing.

Aside from two wisecracking slugs what else might grab the audience's attention? I would have to say the action/adventure of the movie was the next big factor. I can't lie it didn't meet my expectations, but then again it is a kids movie. Instead of the Lord of the Rings like battles, most of the fighting was limited to well-placed arrow shots, a few punches, and a couple of sword slashes. Again the younger audience will mostly think it was awesome, but don't get your hopes too high. When Nod or Ronin (Colin Farrell) fly birds is where the real excitement comes into play. Like a mad roller coaster ride, the audience gets to watch the majestic dance unfold as the airborne steeds navigate through nature's obstacles whilst their riders flip acrobatically to avoid danger. Overall the violence has been brought to a bare minimum, and parents won't have to worry about their kids acting out a beheading scene. Amidst the excitement though is a bit of sadness as well. For me I foresaw many things coming, but younger audience members might get a little upset at some of the sadder scenes in this movie. Some scenes even scared a few of the younger audience members, particularly those that involved the loud roars and creature popping out of the ground, so again be cautious when taking them.

Despite how much of this is geared towards kids though, there are still a few thing BSS did to entertain the adult audience. Mub's jokes have some adult humor in it, which will surely get some laughs, though not as many as Donkey from Shrek. Unlike most kid movies, Epic does a good job avoiding the annoying characters and keeping things in balance to avoid making parents want to slam their heads into the seat. However, it is inevitable for some lines to get ingrained into the minds of the kids, so expect some endless quotes to follow you home. The thing I found most adults will mainly love is some of the heartwarming moments in this movie. I'm not talking about a budding romance that we saw in Ferngully, but instead is more about reuniting and self-discovery amidst a chaotic world. Now you might find it cheesy, but for me I found it to be well done, and something I could experience in the real world, minus the fairies and small creatures. Yeah some of the dialog was a bit too forced, but not bad overall.

As for the voice acting, I think that it was a great cast to pick and that the characters represented a lot of images their actors portray in other media. Hutchinson is naïve, youthful, and rebellious, Pit-bull has the persona of a big boss toad who likes to run the show, and Beyoncé has a side that is caring and nurturing. Regardless, Epic has a lot of positives that I think will wow and amaze kids. The "exciting" battles, the lovable characters, and the cute comedy are certain to entertain a lot of people, but Epic still needed some fine tuning before coming out. My scores are below: Animation/Adventure/Family: 8.0 Movie Overall: 6.5-7.0